WHO WE ARE

Hunter Arnold is a Tony and Olivier Award-winning producer. Broadway credits: Maybe Happy Ending (Tony Award), Hadestown (Tony Award); Moulin Rouge! (Tony Award); The Inheritance (Tony Award); Dear Evan Hansen (Tony Award); Leopoldstadt (Tony Award); Kinky Boots (Tony Award); Company (Tony Award); A Strange Loop (Tony Award); Once on this Island (Tony Award); Cabaret; Purlie Victorious; The Heart of Rock and Roll; Once Upon a One More Time; A Christmas Carol; Anastasia; Chicken & Biscuits; Getting’ The Band Back Together; Back to the Future; The Notebook; Harmony; Here Lies Love; New York, New York; Life of Pi; Bob Fosse’s Dancin’; A Doll’s House; Pictures from Home; Some Like It Hot; Ohio State Murder; A Beautiful Noise; KPOP; The Piano Lesson; Death of a Salesman; Into the Woods; The Kite Runner; Mr. Saturday Night; Funny Girl; for colored girls who have considered suicide / when the rainbow is not enuf; Mrs. Doubtfire; The Little Prince; Plaza Suite; Diana; Thoughts of a Colored Man; Caroline, or Change; Slava’s Snowstorm; Tina; Betrayal Frankie and Johnny in the Claire de Lun; Pretty Woman; Head Over Heels; M. Butterfly; Disaster!; Allegiance; Spring Awakening; The Visit; It’s Only a Play; Mothers and Sons;  The Bridges of Madison County; Macbeth; Godspell; Chinglish. West End credits: Hadestown; Plaza Suite; Moulin Rouge!; Back to the Future (Olivier Award); Dear Evan Hansen (Olivier);  The Inheritance (Olivier Award); Cabaret (Olivier Award); Tina; Kinky Boots (Olivier Award); Pretty Woman; My Fair Lady; Mrs. Doubtfire; 2:22. Off-Broadway: Little Shop of Horrors, Daddy Long Legs.

In addition to his producing projects, Hunter is the founder of a premier theatrical ticketing and web presence software www.OnTheStage.com. Hunter earned his bachelor’s degree in Entrepreneurial Business from DePaul University and his Master’s in Business Administration from TRIUM, a joint program representing NYU Stern School of Business, H.E.C. Paris and the London School of Economics. He is a frequent lecturer and guest professor on entertainment trends and economics, commercial theater and working in the arts. @huntercarnold

Tina Cocumelli focuses on finding and developing new projects for TBD, working with creative teams to usher projects along the development/production pipeline (script development, 29 Hour Readings, Workshops, out of town productions). Tina joined TBD Theatricals after a long and successful career as a theatre educator. A Los Angeles native and graduate of the UCLA School of Theatre, she also holds a Master’s degree in Education/Psychology & Counseling from Point Loma University. Tina has produced and directed over 200 plays and musicals with students and community theatre groups and brings this knowledge and experience to TBD.  Production credits include Maybe Happy Ending, The Heart of Rock and Roll, Cabaret, The Preacher’s Wife, Once Upon a One More Time, Unknown Soldier, Noir, A Christmas Carol, Chicken & Biscuits.

Ali Daylami is passionate about bringing innovation to the theatrical landscape, believing that artistic excellence is key—when the art thrives, the audience follows. Production credits include Maybe Happy Ending, Once Upon a One More Time, The Heart of Rock and Roll, A Christmas Carol, and The Preacher’s Wife. Ali has worked at 321 Theatrical Management, Broadway & Beyond, and the Abu Dhabi Festival, and holds an MFA in Theatre Management & Producing from Columbia University.

Andrew Perez is an Atlanta, GA native and holds a MA in Performing Arts Administration from NYU Steinhardt. Along with working in the commercial theatrical space, he also serves on the Board of Directors for Theatre [Untitled]/Actor's Professional Theatre Conservatory, a nonprofit working to uplift new artists and train the next generation of artists. Production credits with TBD include: Maybe Happy Ending, The Heart of Rock and Roll, Cabaret, The Preacher’s Wife, Once Upon a One More Time, Noir, A Christmas Carol. Previous to his work at TBD, he served as the Associate Producer for the 2020 Criminal Queerness Festival and Luciérnagas produced by National Queer Theater.

Ryland Dorshow Prior to joining Broadway Strategic Return Fund, Ryland spent over 3 years on the Valuation and Modeling team at Grant Thornton, leveraging financial modeling and analysis to assist clients of all sizes in understanding their true value and the value of their underlying assets and investments. Ryland has valuation experience across a variety of industries including entertainment, healthcare, tech, construction, real estate, hospitality, and consumer goods. With a lifelong passion for the performing arts, he is proud to be part of the only professionally managed fund focused on this niche industry. Ryland earned his Bachelor of Science in Business from the University of Minnesota with a Major in Finance (Curtis L. Carlson School of Management).